MOTU DIGITAL PERFORMER 4.6 AND OS 10.13 SOFTWARE

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Pentcheva to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

Pentcheva individual chapters, the contributors The right of Bissera V. Her articles on phenomenology and aesthetics of medieval art have appeared in The Art Bulletin, Gesta, Speculum, RES Journal of Anthropology and Aesthetics, Performance Research International, and Dumbarton Oaks Papers.ДЄural Architecture in Byzantium Music, Acoustics, and RitualДЇirst published 2018 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business В© 2018 selection and editorial matter, Bissera V. She has published three books to date: Icons and Power: The Mother of God in Byzantium, The Sensual Icon: Space, Ritual, and the Senses in Byzantium, and Hagia Sophia: Sound, Space, and Spirit in Byzantium. Pentcheva is professor of medieval art at Stanford University, USA. The result is a rich contribution to the growing discipline of sound studies and an innovative convergence of the medieval and the digital.

MOTU DIGITAL PERFORMER 4.6 AND OS 10.13 SOFTWARE

By then drawing on audio software modelling tools in order to reproduce some of the visual and aural aspects of these multi-sensory public rituals, it inaugurates a synthetic approach to the study of the pre-modern sacred space, which bridges humanities with exact sciences. Engaging the material fabric of the buildings in relationship to the liturgical ritual, the book studies the structure of the rite, revealing the important role chant plays in it, and confronts both the acoustics of the physical spaces and the hermeneutic system of reception of the religious services. Abel and Kurt James Werner 198Д®merging from the challenge to reconstruct sonic and spatial experiences of the deep past, this multidisciplinary collection of ten essays explores the intersection of liturgy, acoustics, and art in the churches of Constantinople, Jerusalem, Rome, and Armenia, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word. Acoustics of Hagia Sophia: a scientific approach to the humanities and sacred space / Wieslaw Woszczyk 176ДЎ0 Live auralization of Cappella Romana at the Bing Concert Hall, Stanford University / Jonathan S. Spatiality, embodiment, and agency in ekphraseis of church buildings / Ruth Webb 163Д©. We who musically represent the cherubim / Laura Steenberge 143ДЁ. Transfigured: mosaic and liturgy at Nea Moni / Lora Webb 127Д§. ChristвЂ™s all-seeing eye in the dome / Ravinder S.

Understanding liturgy: the Byzantine liturgical commentaries / Walter D. Byzantine chant notation: written documents in an aural tradition / Christian TroelsgГҐrd 52Д¤. The great outdoors: liturgical encounters with the early medieval Armenian church / Christina Maranci 32ДЈ. Aural architecture in Jerusalem, Rome, Constantinople, and Alexandria / Peter Jeffery 14Дў.

Motu digital performer 4.6 and os 10.13